I
have advice for any young person starting out in film, TV or video production.
Find a craft that you love and get good at it, so you always have a job. For
me, that craft is editing.
I
am thankful for my choice. I learned the craft of film and TV editing early in
my career, and it has always been a joy for me, and a steady way for me to make
a living.
My
first job was as a production assistant in the Current Affairs and News
Department at KQED in San Francisco, and one day I was driving Mr. Ken Ellis, the
News Director, to a shoot. I knew I wouldn’t get that many chances to be alone
with him, so I was bold enough to strike up a conversation.
“Ken,
any advice for someone like me, just starting out?”
“Learn
how to edit. That way you’ll always have a job.”
He
was right. I took his advice to heart and I learned the Anonymous Art. Editing
is hard to define, but here’s my definition: good editing is taking images and
sounds, music and effects, eliminating most of it, and combining your best
choices into a story so compelling that it pulls the viewer in completely, and
they experience the story as a whole, unaware of how it has been put together.
That’s
why it’s anonymous. My goal is to do my job so well that I disappear. The wrong
edit, a musical stumble, or an unnecessary flourish will just remind everyone
that there is someone behind the curtain manning the controls.
What
makes it an art is nebulous. When a story works, it’s not always obvious why,
since the work itself is hidden within the storytelling. Likewise, when a story
almost works yet is not quite satisfying, it also hard to
pinpoint what has gone wrong. There are dozens of ways to order and re-order
the same material, and two editors often have different ideas of what’s “best”
in the footage they are given. This means two editors will always edit the same
material in a different way. But when the results shine, it’s clear that
something almost magical has happened. That’s what can elevate this anonymous
process from a craft to an art.
There
are some trade-offs that go with it, of course. But every disadvantage is an
advantage, if you look at it from another angle (like different shots in an
edit bay).
The
editing process is solitary and laborious...unless you like being alone. I have
the soul of a writer and editor, so I’m fine with being by myself for long
stretches.
It
takes years to learn how to do it well...which means you can’t fake it, either.
That gives you job security.
The
director, producer and even the actor take credit for your work...but they
create the editing jobs. A TV show generally has one producer and one director
per episode. Go down a few tiers, however, and that’s where you find plenty of
work for editors.
You
also learn how to be a better director and producer by starting as an editor,
since you see what works and what doesn’t, and you end up fixing it or making
it shine.
Editing
is also a refuge. I have been a writer, director and producer, and all three
jobs can be frustrating and exhausting. You work long hours, often far from
home, and your day is never done. There is always some other phone call or
tweak you can make. These jobs can also suddenly end, and you may then go for
months without another directing or producing gig.
Most
of all, I am thankful for editing. Years ago, it taught me how to direct and
produce, and gave me steady enough work that I could create side projects of my
own. Now I am in a new phase of my career, and I am stepping back from
producing and directing and work on the road, and I want to spend more time
writing books and more time with my family. Thus, I am back in the edit bay.
And
I am also thankful for all those people who hired me, and who continue to hire
me, because they accepted me for who I am. Almost every producer and director who
hired me not only tolerated my side projects, they also encouraged me. They
also allowed me to live a normal life, with the ebb and flow of family,
illness, life, death, happiness and tragedy, which I bring back to the edit bay
as life experience. All they want from me in exchange is to edit the best show
I can, and deliver it to them on time.
For
their patience, indulgence and collaboration I am truly grateful.
And
the fact that they keep calling.
Now,
I have to get back to my edit.