David Trulli is a California artist you
should know about. I first met
David when I was hired to direct a short documentary about the closing of the
Long Beach Naval Shipyard and David was the cinematographer whom the company
had hired. We had to create
compelling TV out of images of old barracks, rusting ship locks, drained
swimming pools, and empty offices. David
found a way to shoot the barren mid-Century industrial architecture in a
beautiful way, and I found enough characters with great stories to put in those
settings that somehow it came to life. I loved his eye, and we stayed in touch.
In
2001, I asked him to shoot my short film, Dodgeball,
a comedy about a company where to get ahead you must compete in the weekly
company dodgeball game. The film
pre-dated the feature of the same name, but there’s another story that goes
with that.
We
became friends, and I noticed and admired a few things about him:
He
is a clothes horse. A lot of Los
Angeles cinematographers wear cargo shorts with Hawaiian print shirts, and he
said he was tired of being that guy on a set, so he spent some money and
graduated up to what he calls “grown-up clothes.” Now he wears suits whenever he works, and he looks good in a
fedora. He also inspired me to
improve my own wardrobe. He appreciates a good root beer float. When he and his
wife Lisa (an amazing editor) came over for dinner in the summer, he enthused
about how they are the perfect treat on a hot summer night.
David
surprised me a few years later when he said he was leaving cinematography to be
a fine artist, and that scratchboard was going to be his medium. To me, it
seemed daring but risky; much like an actor quitting the theater to become a
singer. Yet
it worked. He is now a successful
fine artist, with his own studio on Hollywood Boulevard, and successful gallery
shows every year or show throughout Southern California. In fact, he is part of a show happening
right now at the Pacific Design Center featuring black and white art:
Another Year in LA
May 16 - August 9, 2013
Pacific Design Center
Suite B267
8687 Melrose
West Hollywood, CA 90069
323-223-4000
Over
the last few years I have bought one original piece, one lithograph from a
limited series, and a poster. A
good mix, and I can say I collect California art now. His
work captures a dark world where there is no escape from modern technology, yet
nature and humanity manage to break through, like a blade of grass coming up
through the sidewalk. His older
work evoked classic Los Angeles Noir, which first drew me to his art, but I like his new pieces even
better.
Tranquility Base |
Beyond Daylight |
Edge of Town |
Also,
as I transition into a new career,
I look at David Trulli’s art with an added twist. I think of how he succeeded
in becoming someone new, and the idea of self-transformation suddenly seems
attainable and not so lofty. He
also turned me on to an amazing radio show and podcast, which changed my life
and it may change your life as well -- RadioLab, out of WNYC. Whenever we see each other we talk
about our favorite RadioLab episodes.
Somewhere Gone |
Check out his work at (his current
shows listed here):
Check out RadioLab at (listen to Sleep and
Emergence):
You can find Dodgeball, the film we did
together, at:
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