On Stockton Street in San Francisco, in the heart of Chinatown,
on the third floor of the Kong Chow Benevolent Association building, you will
find the temple to Guan Gong. It’s a plain beige stucco office building with a few shops on
the bottom floor, and with offices on the upper floors perfect for accountants
and dentists to hang their shingles. There’s a narrow black Otis elevator in the back, and tacked to
the wall is a faded piece of paper with Chinese writing with a tiny scrawl in
English at the top -- Temple, Third Floor.
You ride up three floors, step out into an entranceway filled
with shopping bags and suitcases, then step through a beaded curtain and into
an sun-filled atrium in which sits a massive statue of a stern and red-faced
warrior with a long beard, who carries a long pole with a blade -- General Guan
Yu, most often called Guan Gong, or Lord Guan. Surrounded by urns filled with burning incense, smaller statues
of minor deities and stacks of fruit offerings and flower bouquets, Lord Guan’s
wooden face glowers at you, tolerating your presence, as if asking you to speak
quickly and explain why you’ve come.
He is the patron saint to many residents in San Francisco’s
Chinatown, and you will spot a shrine to him in the back corner of many shops. He is the patron saint to warriors, to police officers, to
criminals, to poets, to artists and to travelers - in other words, people who
feel they must live apart from the rest of society, and therefore follow a
separate code. Since many
residents of Chinatown still see themselves as travelers to our country,
removed by fate or choice to live apart from the great Middle Kingdom, Guan
Gong is the deity who watches over them.
I first learned about Guan Gong as a kid when I watched the play
F.O.B. (which stands for Fresh Off the Boat), written by David Henry Hwang, in
which Guan Gong comes to life in a seedy Chinatown restaurant. I was then introduced to the temple as a teenager, when I was
doing documentary photography and I wanted an introduction to Chinatown. My oldest childhood friend, Kelvin Han
Yee is an actor who is well-known in San Francisco, but at the time his father,
Kong Yee was even better known in Chinatown, and he was my guide to places I’d
never have found otherwise.
Kong Yee was the Clerk of the Court for the City and County of
San Francisco for many years, specifically, Night Court. And in that court, the most pervasive
crimes that were addressed night after night for years on end were -- parking
tickets. And where is the parking worst in the city of San Francisco? Chinatown.
The merchants and delivery trucks working those narrow steep
streets gather dozens of parking tickets a month as a normal price of doing
business, but if you remain a scofflaw for too long, your car or truck will be
towed or its registration denied, and you end up in Night Court.
For years, Cantonese-speaking Clerk of the Court Kong Yee was
the liaison between the judges and the scofflaws, and he’d help broker the
deals between the two. The City
would get some of its money, and the merchants would get to keep running their
businesses in a neighborhood vital to tourism. This meant that when Kong walked through Chinatown, he had
juice. People would come out in
the street, shake his hand, press a gift on him, beg him to come in for some
food, thank him for fixing a problem or beg him to address a new one.
When I was with Kong, I was a caucasian kid who wasn’t merely
tolerated but I was welcomed, and he showed me back kitchens and garment
factories and gambling parlors I wouldn’t have seen otherwise -- including the
temple to Guan Gong.
Once you enter the temple there is no rush to help you. An old Chinese granddad wanders up to
you, the same kind of guy in the padded coat with a bag of groceries who you
see riding the 30 Stockton bus, and it turns out he is the Taoist priest who
runs the place. He knows why you’ve come, so there are no questions. He steers you to the wall where newspaper articles show the politicians
who have come to pay their respects to Lord Guan in the past -- President
Eisenhower, Governor Pete Wilson, and Mayor Willie Brown to name a few. The priest explains that if you want to
win re-election, the politicians know you must visit Guan Gong.
You then pay five bucks, burn incense in ten spots around the
temple, get on your knees and bow.
Then, if you want, you can get your fortune told. You shake a bamboo container full of a
hundred thin bamboo sticks with numbers on them, and whichever stick emerges as
you gently shake is Lord Guan’s declaration of your future.
I went there recently with two good friends from my youth and
from Cal Berkeley -- fellow writers and seekers Kevin Kirkpatrick and Douglas
Gorney, who I knew would feel the same kinship that I have with Lord Guan.
The rituals were exciting, but when it came time to divine our
futures, the fortunes we shook free indicated that Lord Guan had some stern and
direct advice for us. The sticks warned one of us not to cut corners at work,
he warned another that he must find and new place to live, and another was told
there was no easy answer to his family health problems. These were not fortune cookie
platitudes, and it didn’t seem like paying more money would have gotten us
nicer outcomes.
“Work hard and then come back in December and see what he says
then,” the priest told us all. I tried to take a photo, but he said no -- I
didn’t have Kong with me to smooth things out this time.
We left the temple feeling energized and a little scared, and
headed back to Grant Avenue.
Before meeting my wife and daughter, we vowed to downplay the
seriousness of what we’d been told.
If you want to read more about Lord Guan, go to:
Great memories well penned my friend. Thank you for this. My father liked you a lot but there is no smoothing over the truths of the warrior/poet Guan Gung. It's not bad news. It's guidance.
ReplyDeleteIronically I recently went up to San Francisco and found some old framed pictures that I had stored away. Among them an old photograph of my father, night clerk of Judge Glickfelds Municipal Court at San Francisco Hall Of Justice, clerking a courtroom full streetwalkers that had been arrested. Can't find a date on the photo but it seems to be late 50's early 60's. I remember my father saying that the photo was taken by a photo journalist and had appeared in the San Francisco Chronicle.